I had been in New York for only a couple of weeks and after riding the Greyhound bus in with the rest of the degenerate, broke, and sick masses out from the West coast, the plane ride from SF to JFK was a lot quicker and cleaner than the bus trip from Tucson to California but lacked soul and intrigue. There was no one on the plane to tell me stories about being freshly released from prison for multiple DUIs while drinking a fifth of cheap peppermint schnapps and thumbing through pages of amazing prison art (one of my favorite types of art). The graffiti in NY is an altogether different animal as well. In San Francisco the streets are wrecked pretty badly but no where near the scale of New York. New York has blocks and blocks of pure gut wrenching holy inspirational complete destruction. Tags and fill-ins are living everywhere and the pretty shit is for the most part left for the toys and the old-timers to contemplate. The climate is savage and honest but lacks a certain massiveness which I expected.
Growing up as a little kid in a town so far away from one of the birthplaces of graffiti there wasn't much for us to learn from, only the older guys who were all biting either NY or LA style. The first document to come out for us toys to study was the book Subway Art, which dropped in around 1982 the same time as Style Wars. After that, the nooks and crannies of the world would study these as there was no other OG foundation for learning about style. I studied style pretty much during all waking hours for a good 5 plus years. Many on the outskirts did not really get to learn about graffiti in a true way. This can be witnessed in the plethora of writers who can’t tag, but only piece. more...
As the Santa Ana winds are burning up beach front property in Malibu, Arizona winds are stirring up (once again) controversy (won't they ever learn that graffiti is ART) by none other then our contributing writer to Art as Authority and good friend, KAI1. Damn we're proud! Check out more below. There's also a lexicon for you graffiti newbies. Article by Ashley Houk and the Tucson Weekly. KF
Tagging Tales
A night inside Tucson's street-art community
The sweet, acidic smell of spray paint surrounded us like a cloud. Two graffiti artists--"Kai" and "Exit" are their tag names--made letter outlines for their bombs, large names and graphics, in a 30-foot-wide wash under the midtown Padre Kino statue. More

Four Walls Gallery present:
Collecting Dust & Other Things
14 Interviews from artists and professionals living and working in the San Diego arts community. Collected into one volume, they demonstrate the diversity, methodologies, opinions and individuality of its cultural ambassadors and the growing artistic scene.
Featuring: Patricia Frischer, Kevin Freitas, Michelle Robinson, Monica Hoover, Hugh Davies, David White, Kinsee Morlan, Emily Fierer, Lea Caughlan, Carly Delso-Saavedra, Betti-Sue Hertz, Larry Caveney, Doug Simay, and Luis De Jesus.
Virgin "T"s - Michael Arata
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